Zhang Jingsheng and Methods for Organizing a Beautiful Society [the Confucian aesthetic state, the necessity of gynocracy, cures for nymphomania, rule of beauty] [first of two Zhang Jingsheng entries]
Zhang Jingsheng and Methods for Organizing a Beautiful Society [the Confucian aesthetic state, the necessity of gynocracy, cures for nymphomania, rule of beauty] [first of two Zhang Jingsheng entries]
dylanleviking.substack.com
UNRELATED TRIVIA | POSTING: I resent that my social media is full of trivia. I’m sure it is my own fault. I don’t engage enough to give the algorithms anything to work from. What I mean is that the content of my feeds has been taken over by revelations. This is the easiest sort of content to produce. I have experienced the pleasure of producing it, too. I do it with films sometimes, I realize, producing entries that do not go much beyond announcing the existence of a particular film or novel, historical event, or even a thinker. I forgive myself. It is good to share the discovery of a Nguyễn Hồng Sến film from the 1970s. But I am nervous when I see myself going down that road. ▤ ▥ ▤ When I write at length, I commit another error, which is assuming that the reader will figure out what I am talking about. To return to the example of Hồng Sến, I realize that my entry on his films drops many names and events without explanation. I do not explain why it is significant that
Zhang Jingsheng and Methods for Organizing a Beautiful Society [the Confucian aesthetic state, the necessity of gynocracy, cures for nymphomania, rule of beauty] [first of two Zhang Jingsheng entries]
Zhang Jingsheng and Methods for Organizing a…
Zhang Jingsheng and Methods for Organizing a Beautiful Society [the Confucian aesthetic state, the necessity of gynocracy, cures for nymphomania, rule of beauty] [first of two Zhang Jingsheng entries]
UNRELATED TRIVIA | POSTING: I resent that my social media is full of trivia. I’m sure it is my own fault. I don’t engage enough to give the algorithms anything to work from. What I mean is that the content of my feeds has been taken over by revelations. This is the easiest sort of content to produce. I have experienced the pleasure of producing it, too. I do it with films sometimes, I realize, producing entries that do not go much beyond announcing the existence of a particular film or novel, historical event, or even a thinker. I forgive myself. It is good to share the discovery of a Nguyễn Hồng Sến film from the 1970s. But I am nervous when I see myself going down that road. ▤ ▥ ▤ When I write at length, I commit another error, which is assuming that the reader will figure out what I am talking about. To return to the example of Hồng Sến, I realize that my entry on his films drops many names and events without explanation. I do not explain why it is significant that